17 April, 2025

Vama Veche Isn’t What It Used to Be, But Maybe We Aren’t, Either

 I hear it often: “Vama Veche isn’t the same anymore.”

It’s said like a sigh, or a warning, or a quiet lament. And in a way, it’s true. The bars have changed. The crowds are younger. The music’s different. Some of the places we loved—Stuf, Canapele—are gone. Vama’s changed.

But I’ve come to believe something deeper. Yes, the place has changed—but we’ve changed more. And the ache we feel when we go back isn’t really about the beach at all. It’s about time.


The Friction Between Identity and Time

What we’re describing when we talk about Vama Veche is not just nostalgia. It’s the friction between who we were and who we’ve become. It’s the moment we look in the mirror of a familiar place and don’t quite recognize the person staring back.

In our twenties, we carried lightness in our bones. We slept in tents, shared cheap drinks, didn’t worry about back pain or alarm clocks or responsibilities waiting at home. We didn’t just visit Vama—we belonged there. We were young and carefree, and the beach seemed to rise up and match our rhythm. Now, two decades later, we visit again. But something’s off. It doesn’t feel the same.

And here’s the hard part: we say “Vama’s not the same” because it’s easier than saying “I’m not the same.” That subtle deflection lets us hold onto an idea of ourselves that feels like it's slipping through our fingers. We were spontaneous, joyful, wild. When the place no longer brings out those traits in us, we blame the beach. But maybe what’s really happened is that those parts of ourselves have become harder to access—and that hurts.


Vama as a Mirror, Not Just a Place

Places like Vama Veche are more mirror than map. What we loved wasn’t just the sand or the sea or the late-night guitar strumming. What we loved was what the place unlocked in us. It revealed something beautiful—something raw and unguarded. Something young.

That’s why we return, over and over, hoping the place will awaken that part of us again. But it doesn’t. Because we’ve layered on years and roles and habits. We’ve re-entered real life. The mirror still works—but the reflection is different.


The Myth of the “Authentic Past”

Memory, it turns out, is not a historian—it’s a novelist.
We remember Vama through a haze of firelight and laughter. We remember the music, the waves, the freedom. But we forget the mosquitoes. The hungover mornings. The broken zippers. The sand that got into everything. That pesky white dust that took one month after getting back home to completely get rid of it.

Our minds are skilled at editing our pasts into myths—clean, romantic, golden-hued stories. And when we try to return, we’re not just chasing a place—we’re chasing the mythologized version of ourselves that we left there.


Generational Gatekeeping

There’s also a strange tension that comes with seeing younger people living now in what we once called ours. They sleep in the same tents, drink on the same beach, dance to their version of freedom—and it can feel like they’re inhabiting our memories. Like they’re trespassing in a sacred space.

But Vama Veche was never meant to be owned. It never belonged to anyone. That was the whole point. It was wild and shifting and free. And maybe what we’re really reacting to is this: the baton has passed, and we weren’t quite ready to let go.


These Places Only Exist as Long as We Can Afford to Live Outside Time

This is perhaps the hardest truth to sit with:
Places like Vama Veche only exist as long as we can afford to live outside time. When we’re young, with no deadlines, no mortgages, no kids to feed or bodies to protect, we can step out of time for a weekend—or a whole summer. We can live as if the world has paused for us.

But eventually, time catches up. And when it does, it claims both us and the places we thought were timeless. The campfires burn out. The bars close. The people move on.

We return expecting magic, but find Monday morning lingering in the corner of our minds. And it’s not the beach that’s broken—it’s our ability to pause time that’s faded.


The Grief We Don’t Name

What we’re really feeling is grief. Not for a place—but for a version of ourselves we can’t quite be anymore. The one who was lighter, looser, unburdened. The one who hadn’t yet been dulled by the weight of responsibility, or softened by love, or hardened by loss.

There are no rituals for this kind of loss. No funerals for our former selves. So we mourn sideways—by blaming the beach, or mocking the new generation, or swearing off places that don’t make us feel young anymore.

But maybe what we really want to say is simple: “I miss who I was here.”


Honoring the Memory, Not Chasing the Illusion

And yet, maybe there’s something sacred in realizing that.
Once you know it, you stop chasing the illusion, and start honoring the memory.

You stop trying to squeeze yourself back into a younger skin. You stop demanding that a place deliver something it no longer can. Instead, you remember it the way you’d remember a first love—not with resentment that it didn’t last, but with quiet gratitude that it ever happened at all.

Maybe you even find a new kind of timelessness—not in the beer at dawn, but in your child’s laughter in the surf. Not in the sleepless nights, but in the slow, quiet mornings with the people you’ve chosen to grow older with. A different kind of magic. A different kind of freedom.

And maybe, just maybe, that’s what growing up really means.

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